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![]() ![]() ?/12/81 London Lambeth Angel (With Razzle on Drums) (Support to 'The Apocalypse')ģ/12/81 "No:1 Club"London Islington Pied Bull (With Razzle on Drums)ġ7/12/81 London Islington Pied Bull (With Razzle on Drums)ġ9/12/81 London Islington Pied Bull (With Razzle on Drums) 21/11/81 Norwich East Anglia University (Support to 'Wishbone Ash') TicketĢ2/11/81 London Marquee Club (Support from 'Red Baron') Advert ContractĢ5/11/81 London Covent Garden Rock Garden (Support to 'The Monsters') Advert Listing ?/6/81 Stonehenge Free Festival (With Razzle on Drums) FlyerĢ8/6/81 London,Enfield Trent Park (With Razzle on Drums) (Also on the bill 'Flying Club','Damp Jungle' & 'Tory Wets') Flyerġ5/8/81 London Hammersmith Clarendon (With Razzle On Drums) (Supporting 'The Dark' also on the bill 'Deadman's Shadow')ģ/9/81 London,Islington Pied Bull (With Razzle on Drums)ĥ/10/81 London Holloway Butchers Arms (With Razzle on Drums)Ģ3/10/81 Ryde,La Babalu,Isle Of Wight (With Razzle on Drums) (Support from 'Warrior') Advertġ5/11/81 London West Hampstead Moonlight Club Advertġ8/11/81 London Fulham Greyhound (Support from 'Family Fodder') Advertġ9/11/81 Plymouth (Support to 'Wishbone Ash')Ģ0/11/81 Uxbridge Brunel University (Support to 'Wishbone Ash') Advert ![]() ?/?/81 London,Palm Court,Alexandra Palace (With Razzle on Drums) (Band changed their name to "Pork Sausages" for this gig!) 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Advert Ticketġ7/12/80 London,Unknown Venue (With Razzle on Drums)ģ/4/81 London,Muswell Hill,Cranley Dene Squat (With Razzle on Drums) (Support from 'Non Doctor') Flyer ![]() Hell, I'm not even talking about Juubi Jinchuuriki Gedou Rinne Tensei Uchiha Madara with the Eternal Mangekyou Sharingan and Rinnegan doujutsus (with the rikodou abilities and being capable of both Amateratsu and Tsukuyomi genjutsu), equipped with his Gunbai, a perfect Susano'o, control of the juubi and Gedou Mazou, with Hashirama Senju's DNA implanted in him so he has mokuton kekkei genkai and can perform yin yang release ninjutsu while being an expert in kenjutsu and taijutsu. I'm not talking about Gedou Rinne Tensei Uchiha Madara either. And I'm not talking about Edo Tensei Uchiha Madara. Is there a character that could even possibly EVEN TOUCH Madara Uchiha? Let alone defeat him. Woah Onii-chan why are you pushing me on to the bed? ヽ(°〇°)ノ Kyaaaaa don't tickle me Onii-chan haha counter ataaaaack pushes you down ヽ(>∀_<~) SWow dwon ah ah MMMH O-onii-chan I Lwve yoouuuuu! AHHHHHHH MMMHHH AH Hah Hah hah O-ONIII-CHAAANN you baka why did you do it inside? ヽ(д´)ノ W-well if it felt good for you i'm happy, b-but make sure you take responsibility. Gasps Onii-chaaaaan jump onto and hugs O(≧∇≦)O I missed you sniffs () fuah I love your boy smell Onii-chan (w), Huh? Don't sniff you? Don't be silly Onii-chan I love you why can't I show my affection? (─‿‿─)♡ Hahaha your face is red. So you should have 45 children with Megumin if you do it naturally, and 57 children if you use fertility drugs. In that case, you'd expect 13 sets of twins, with one of them potentially being triplets instead. If you gave her certain fertility drugs (specifically gonadotropins), that would increase the chances of multiple birth substantially to 3 in 10, with around 5% of those being triplets or more. With those numbers you'd expect to get 2 sets of twins, but if she has a family history of twins that could rise to around 4-5. It would be on the low side initially, but as her body fat percentage rose from pregnancy it would even out. Using data from you'd get an average twinning rate of 44. Statistically some of those will be twins, with the rate generally increasing with age and height/weight. With back-to-back pregnancies every 10.5 months and assuming she hits menopause around age 51, you could get around 43 births out of her. Megumin's cuteness is a miracle of the universe, it behooves you to create as many little megumins as humanly possible. ![]() To achieve excellent result, you have to swipe to move the future character between three lanes. 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In Toa Baja, part of the San Juan metropolitan area, families awaited rescue from their rooftops after the La Plata River filled its alluvial valley. Thirty rivers in Puerto Rico reached major flood stage, and 13 of those reached or exceeded record-flood stage. Over 48 hours, María dropped 380 to 500 millimeters (15 to 20 inches) of rain in most areas, with some spots receiving even higher amounts. Winds weren't the only destructive force María unleashed on Puerto Rico. Hurricane María destroyed Puerto Rico's radar, providing a low-end estimate to the storm's wind speeds over the island. ![]() Nexrad doppler radars, with their geometric panels (left), are designed to withstand wind gusts up to 116 knots (133 miles per hour). María destroyed what was still functioning in Puerto Rico's electrical grid after Irma, leaving all residents across the island completely without power. It severely damaged 95 percent of cell towers, cutting off nearly all cell phone communication. That radar was designed to withstand maximum winds of 116 knots (133 miles per hour), so this value provides a low-end estimate of the storm’s winds.Īs the eye of the storm tracked toward the west-northwest over Puerto Rico, the intense winds broke and uprooted trees, leaving most of those still standing without any leaves. The storm also destroyed the weather radar operated by the Federal Aviation Administration and the National Weather Service. When María reached the island, it was a Category 4 storm, although meteorologists have no land-based records of María's maximum winds because the storm damaged most of Puerto Rico's wind sensors. NASA Earth Observatory images based on a variety of satellite sensors, including NOAA/NASA's Suomi NPP satellite, which detects visible light at night, and Landsat and other high-resolution imagers that map terrain and roads. The storm left much of the island in the dark. As FIA said in an industry overview of the impact of Hurricane Sandy, “those that planned well - generally fared well.Satellite-based images of the density of nighttime lights across eastern Puerto Rico before (left) and after (right) Hurricane María, on September 27 and 28. In combination, these features can determine the risk an event poses to a supply chain and guide planning and response. Risk probability 'heat maps' to gauge the relatively probability of adverse events, and.Automated risk exposure modeling to compare the risk at every site in the supply chain.To streamline this process we have integrated three features into our software: Once you've mapped your supply chain, it becomes much easier to understand and prioritize vulnerabilities. Speaking about Hurricane Isaac, the Insurance Information Institute (III) noted that “even for companies far from the eye of the storm, the impact of Isaac could have been significant, namely lost profits resulting from broken supply chains and absent business customers, as well as from the lengthy disruption of one of the country’s largest commercial ports.” Even a relatively small Category 1 hurricane could generate a storm surge with enough power to damage harbors in many areas. Tom Jeffery, senior hazard risk scientist at CoreLogic, “ports and warehouses are especially vulnerable to hurricane driven storm surge due to their location on or near the coast, as well as the fact they are often not built very far above ocean level.” This puts many of them at the highest risk of flooding damage from a storm surge. ![]() Not only is this map stunning, it also provides a clear visual representation of the importance of understanding your supply chain and having plans in place to handle large scale weather disruptions that might impact it.Īccording to Dr. This incredible map shows the track of every (nearly 12,000) recorded hurricane since 1842. ![]() They arrive at last at their destination: a tall stone gate with a narrow passage. The two have been traveling for a long time on this offbeat path, through murky forests and wet grasslands alike. One cloudy night, a lone kite flies by two longtime companions - Wander and his horse Agro - navigating an unforgiving cliffside path on the edge of a canyon. The game was re-released alongside Ico for the PlayStation 3 on September 27th, 2011, in NTSC regions as The Ico and Shadow of the Colossus Collection.Ĭlick here to view full credits for Shadow of the Colossus. The game sold well, eventually making the "Greatest Hits" lineup of PlayStation 2 games in the year following its release and has received numerous awards for its gameplay, soundtrack, art direction, animation, and overall quality. Shadow of the Colossus enjoyed significantly more coverage by the media than Ico did, due in large part to an extensive viral marketing campaign that helped spread the game's unique concept and style around the gaming community by word of mouth. The game focuses on a young man, known only to the audience as Wander (or "the Wanderer"), who is tasked with finding and killing sixteen colossi that reside in a desolate expanse of land, in the hopes of resurrecting a sacrificed girl named Mono. Though the game shares many stylistic, aesthetic, and atmospheric elements with Ico, Shadow of the Colossus's core gameplay is quite different. It was first released in October 2005 in North America and Japan, then in Europe and Australia in February 2006. Shadow of the Colossus, released in Japan as Wander and the Colossus (ワンダと巨像 Wanda to Kyozō), is Team Ico's second game. 1 DVD (all regions) See also: Shadow of the Colossus (PS4) ![]() This report examines the market’s drivers, limits, and opportunities in-depth.It does a complete study of the Cloud Based Security Services market using SWOT analysis. 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Through accident or design, there are slight differences between the two. SS: Aside from the crucial picture-quality issue, what are the differences between Manos as the public knows it, and as you knew it? You mention on your site that you discovered the original opening shot…?īS: The restoration is not entirely based on the film as we know it, but the workprint of the film as it was initially edited together. The real miracle is that enough elements survived to recreate the picture almost exactly, which is all thanks to the relative shelf-stability of film stock. Imagine someone has plunked a movie into your lap that’s been shot, but has no edits, VFX, audio mixing, color grading, or other polish. Fortunately, a surprising amount of that skill set translates over. Normally, I’m working as a cameraman, and as such I had no experience in film restoration, only some in film post-production. ![]() The subsequent sharing of that discovery online, and the enthusiasm I encountered there, led to the restoration. SS: What is your experience in film restoration? What lead to your determination to restore Manos? What lead to your discovery of the original workprint?īS: This all started with the discovery of original editorial materials from Manos among many old crates of film that I had bought, sight unseen. It is now much more obviously a time capsule, revealing all sorts of details about the time, place, and people that produced it. I may have watched Manos more than anyone else at this point, and I can honestly say that the ability to simply see it with a clearer picture has made the movie much more enjoyable. For many, Manos was their first exposure to the low end of the first real wave of independent “regional” films, movies that were manufactured far away from Hollywood from the 1950’s onward, played double bills and drive-ins, then usually forgotten.Ī few magical films did transcend their regional origins, the biggest one by far being Night of the Living Dead–this is the very opposite end of that spectrum. The exaggerated reactions it provoked on the show only added to the mystique of it being too awful to watch alone, whether that was true or not. Like most of the people who watched that episode, I was mesmerized by its strangeness, even in comparison to other films that they featured. SS: How did you hear about Manos for the first time? What were your first impressions of this singular film? How did your perceptions change as you watched and re-watched it?īS: For the longest time, the only easy way to see this film was in the context of its MST3K episode. However, I will say that Danger: Diabolik, which was also featured in a MST3K episode, is one of them. I’ve got too many favorite movies to really go through. Since then, I’ve been working with motion picture cameras of all types. ![]() I went to Florida State, majoring in Motion Picture, Television and Recording Arts, and moved to Los Angeles interning at Panavision. In high school, I took up photography and became acquainted with the darkroom. The library in Chattanooga, Tennessee had a very good collection of films in that format, with many features from the silent era to the 50’s. Which movies were your favorites as you grew up, and why? Which were your favorites as you got older, and why?īenjamin Solovey: I started projecting 16mm film in elementary school after my mother, a teacher, gave me a projector the school was going to discard. Seattle Star: What is your background in film? Describe your childhood, your growing-up, and your learning to love film. He’ll be presenting the film at SIFF Cinema Uptown on the 7th. In Part Deux, he interviews two more artists involved in the remaking/representing of Manos: The Hands of Fate.įirst, Benjamin Solovey is the mastermind behind the restoration of Manos. In Manos: Part Un, Andrew Hamlin gave us some context for SIFF’s screening of Manos: The Hands of Fate, and interviewed one of the stars of the movie. Photo courtesy of Manos: Hands of Felt () ![]() (Also, whatever the statutory limit on the phrase “happy ending” in a modern fairytale is, the pilot breaks it.) And the trapped-in-the-real-world premise raises a lot of questions: if everyone in fairytale land lost their memories, who wrote the book Henry gets his information from? Why exactly was the most horrible “prison” the queen could imagine a picturesque hamlet in Maine? And is Jiminy Cricket really a fairytale character? But raising questions are not necessarily a bad thing for a pilot like this to do, and in the meantime, the idea of magical characters living double lives in our world has a lot of potential.ĭo I Want to Watch Another Episode? I didn’t love this pilot, but I like what it’s trying. Some viewers might be leery of a show with a Lost pedigree that involves two alternate realities, and in the pilot the real-world scenes are more convincing than the fairytale world, which oddly combine a conventional storybook look with half-archaic, half-colloquial dialogue. The first six seasons aired Sunday nights at 8:00 pm ET/7:00 pm CT before switching to Friday nights at 8:00pm ET/7:00pm CT for season seven. ![]() Throughout the show variants of this line are repeated often. David Nolan/Prince Charming says this line in the pilot episode of the show after waking up Snow White with True Loves Kiss. (Tonally, it’s not like Lost so much as past fanciful ABC dramedies like Cupid.) But it also plays like a very long prologue, so here more than usual I need to see another episode or two to get a sense of what this show is going to look like week-to-week. Once Upon a Time is an American fantasy drama television series created by Lost and Tron: Legacy writers Edward Kitsis and Adam Horowitz, that premiered Octoon ABC. This category is for questions and answers related to Once Upon a Time, as asked by users of. Is that good enough? Maybe the pilot is engaging and Morrison well cast in a role that requires heart, toughness and a light touch. Her quest, should she accept it, is to move to Storybrooke-where Snow lift its curse its spell.įirst Impressions: ABC is in a double battle of dueling premises with NBC this season, and so far it’s 2-for-2: just as Pan Am outclasses the pilot of The Playboy Club, Once Upon a Time is much more engaging than NBC’s fairytale cop procedural pilot, Grimm. She learns of her role when she gets a visit from 10-year-old Henry (Jared Gilmore), the son she once gave up for adoption, who informs her not only that she is his mother but that she is the lost daughter of Snow White (Ginnifer Goodwin). Their hope for salvation, apparently, is bail-bondswoman Emma Swan (Jennifer Morrison). In this story from a pair of Lost writers, the familiar characters from children’s fairytales have been dispelled from their world by, who else, an evil queen (Lana Parilla), made to forget their true identities and trapped in the small town of Storybrooke, Maine, where time is frozen. But premature opinions are why God invented the Internet, so let’s get on with… These aren’t reviews, since these pilots can be rewritten, recast and retooled before airing, and the shows that eventually get on the air can prove much better or worse. Follow Pilot is a semiregular feature sharing my first impressions of the pilots for next season’s shows. ![]() Free 4k hd high quality anime desktop mobile tablet iphone android macbook wallpapers with many more resolutions available. 90 1920x1080 282502 guy anime computer 90 1920x1080 72087 kimi ni todoke girl boy 89 1920x1080 91417 anime girl window reflection.ĭownload best hd wallpapers of japanese anime manga in hd 4k resolutions for desktop mobiles tablets wallpapersite best site for wallpapers for desktop mobile tablets in hd 4k resolutions. 2602 images 61797 avatars 77000 gifs 21653 covers 167 discussions click a thumb to. ![]() There are so many different anime out there now many of which dont differ much from each other that finding a truly cool background is a hassle.Ī collection of the top 20 anime live wallpapers and backgrounds available for download for free. Weve gathered more than 3 million images uploaded by our users and sorted them by the most popular ones. 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